Something in Luke/Fumer’s comment on this morning's post really struck me. He wrote:
I never liked superheroes, especially for RPGs. There’s no inherent power curve in the genre, like fantasy’s peasant-to-hero arc.
Leaving aside discussions on contrary examples (Mutants
& Masterminds has a definite “level up” design principle while fantasy
games like Stormbringer and Barbarians of Lemuria have made a real push to
distance themselves from the D&D paradigm)…leaving ASIDE those discussions,
my first reaction to this is “Huh? THAT's the issue?!”
Because if I’m reading this correctly (and Luke can jump
in here if I’m off base), it seems like he’s saying there’s a real problem with
adapting the superhero genre to the RPG medium because traditionally comic book
characters are fairly static in their power structure. A character may be Green
Arrow (relatively low power) or the Silver Surfer (off-the-charts power) with
little rhyme/reason as to why there’s such a great discrepancy (other than it
makes for different styles/types of stories), and there’s little dynamic change
in terms of growth/development that occurs. In other words, Peter Parker will
never someday become Thor just because he’s had 400 issues worth of adventures.
Um…is achievement a requirement of fantasy RPGs?
I suppose the snarky answer from some quarters would be:
It is of the good games. But personally I don’t buy that.
I’ve run and run in long-term Marvel Superheroes games in
the past, and with good results. Now Marvel is pretty much the LAST game you want
to play if your main interest in an RPG is “achievement.” Unlike say, Heroes
Unlimited with its XP/Level based system, the only reward from session to
session achieved is “karma,” a dynamic resource that varies based on both the
type of action taken (good or bad) and the magnitude of that action. The value
earned during a game session can even be NEGATIVE, causing you to face a net
loss to your personal karma pool due to your cowardly or infamous (i.e.
“un-heroic”) actions. Should your hero actually kill or cause the death of
someone in the course of the game session, your character loses ALL accumulated
karma. This is especially devastating when you consider the only way to
“advance” in Marvel (improve your abilities/powers) is to expend your hoarded
karma points…usually in the hundreds or THOUSANDS of points (and acquiring more
than a couple hundred karma in a single session is a fairly rare and momentous
occurrence).
But as I said, we ran long term marvel campaigns, using
recurring characters over a series of different adventures and had a great time
doing it. I don’t think ANY of the characters ever “achieved” anything as far
as advancement goes…the rate of improvement is just glacially slow, especially
if your characters are already high on the food chain of superheroes. But
achievement wasn’t the point…the POINT was to run a campaign of superheroes in
a world filled with the same whimsy and weirdness as your average Marvel or DC
comic title (we didn’t actually use the Marvel characters, preferring to create
our own villains/heroes…the X-Men might have been present in our universe, but
they were “off-screen” the entire time). And we accomplished that with flying
colors, facing super-villain teams and angry deities and voodoo magic and
cyborgs that looked like Robocop but carried an attitude like the Terminator.
We had pointy-eared aliens in fishnet stockings and Wolverine-wannabes and
sentient carrots and rocks (all thanks to the Marvel Ultimate Powers book).
There was some drama and romance and lots of unrelenting ass-kicking with
plenty of stuns and slams and people getting punched through walls and getting
knocked several city blocks back.
[ I think there was an Eternal that could turn people
into jellyfish (or jelly sandwiches…that part’s a bit hazy)]
The point was to have plenty of dynamic fun, and
achievement played very little part in it. Achieving “levels” does not suddenly
open up new areas of exploration…all areas of exploration are open from the
beginning. The chance of death and dismemberment doesn’t change from a
beginning character to an “advanced” one…challenge is always present and you
always have a chance to face it down…provided you and your compatriots keep
your karma pools stocked up and ready.
Because so many of us got into role-playing through the
gateway of Dungeons & Dragons (or RPGs that were heavily influenced by
D&D’s achievement paradigm), there’s a common perception that achievement
or advancement or “getting better” is or needs to be an inherent part of the
game. But that’s a real fallacy of thinking…I mean, you need to understand
where the whole concept came from.
In the beginning there was Chainmail and Dave Arneson’s
desire to run a fantasy dungeon delve. Chainmail is a war game, similar to
Warhammer: you pick out your forces, each piece or unit being worth a certain
number of points. There are soldiers with various armor types and weapons, and
there are some “special types” including heroes and superheroes (worth 4
fighting men or 8 fighting men respectively) as well as monsters of a (Tolkien)
fantasy nature.
When Arneson was running his exploration/subterranean
campaign he needed a system of rules to work out the results of combat between
the players and the monsters encountered beneath Castle Blackmoor. All
characters used the simple man-to-man combat rules found in Chainmail (based on
weapon and armor type) to determine the results of combat. Later, based on the actions
taken (and surprising success) of one particular player, Dave decided to
promote the player’s character to “hero” status, giving him the fighting
ability of the “hero” piece from Chainmail.
As I've discussed before, by Arneson’s own admission achievement/advancement
was never the intention of his original dungeon campaign; advancement was
tacked on (with good result) only AFTER players had been exploring the ruins
beneath Blackmoor for some time and had become attached to their characters.
The objective of game play was simply for characters to acquire treasure; the
point of his game was to play the game: a game of fantasy exploration. Period,
end of story.
Does this make sense? I mean, do people really grok this?
Let’s put it another way: a man designs a game of exploration into a dark and
hostile environment. The characters the players will play will face “death
itself” in the form of fiendish traps and hungry monsters. What would motivate
such an individual to do this? MONEY…that greatest motivator of all. The
possibility of making a fortune, of becoming rich (by whatever your relative
standards are) will compel individuals to do all sorts of crazy things…work
long hours forsaking family and loved ones, embarrass themselves on reality TV,
take tremendous punishment on a football field or in a boxing ring, betray the
ethics and principles they were raised to believe. The promise of wealth will
compel people of different backgrounds and personalities to work together
towards a common cause.
[which is part of the reason why the paladin class…with
its total disdain of wealth…makes so little sense with regard to the premise of
the Dungeons & Dragons game]
Treasure hunting is the in-game justification for the
player characters’ actions in D&D…at least originally. Not achievement or
advancement or “leveling up.” Those things (and land titles, etc.) were a
BONUS, a reward for doing what they were supposed to. It’s only the last 12
years that have seen the erasure of this justification (with the de-emphasis on
treasure acquisition).
A superhero game should be viewed and approached with the
same spirit Arneson originally had for his Blackmoor campaign, at least in so
much as Blackmoor had no expectation of achievement. Playing a superhero game
is about exploring the life of a person with gifts not given to average
mortals…even if those gifts are nothing more than the courage and conviction in
one’s belief in fighting for Truth, Justice, etc. ACHIEVEMENT (if even
possible) should be a secondary consideration.
After all, does the tide of justice ever, finally, sweep
aside the evil and corruption of those who would prey on the weak and
vulnerable? Well, we can certainly hope for that to happen in the REAL
WORLD…but in the game world, curing the world of all its woes would mean ending
the game (and the fun we’d presumably be having by playing). Instead of
reaching some end point, the general consensus for such a game would be for
players to “fight the good fight,” doing what they could, before hanging up
their cape and cowl…or passing over the mask to the next generation of heroes
when the time comes.
Now, if you don’t think it would be enjoyable to play a
game where you (or rather, your character) has super powers and faces off
against the Forces of Darkness, then you should probably be playing a different
game anyway. But if you DO like the idea…well, then, why do you need any sort
of achievement to be inherent in the game? You have enough to worry about,
stopping the nefarious machinations of Doctor Doom or the Riddler (or whomever)
without any bother with regard to advancement or improvement or “leveling up.”
In my opinion.
Now regarding the other possible beef raised by Luke…namely, the wide
disparity of power ranges between, say Daredevil and Superman…well, honestly, that’s
one of the things I love about the genre. Intellectually, it’s pretty
ridiculous for Captain America to be leading the likes of Iron Man and Thor
(sure Cap is a war hero, but Thor’s been THE go-to warrior god for centuries!
You don’t think he knows tactics?)…but it sure makes for great copy!
Of course, you have to account for this in your game
design. If you don’t, then what happens when Dazzler gets punched by, O say,
anyone with a strength class equal to or greater than Spiderman…for example,
and single member of the otherwise “wussy” Wrecking Crew? Answer: One dead
Dazzler, that’s what. A person with the ability to punch a (small) hole in a
tank will inflict devastating injury on any character not made more durable due
to their superpowers. Batman, for example. One lucky punch will quite literally
“knock his block off.” You want to see the original caped crusader decapitated
by the likes of Bulldozer? A guy who Spiderman one-shots without batting an
eye?
[by the way, if you DO want to model that kind of super
world, you’ll want to direct your attention to Heroes Unlimited…though you
might want to divide SDC totals by a factor of five or ten]
In the superhero world, “fortuitous circumstance” tends
to conspire to keep the more squishy heroes breathing, and when modeling that
world (especially due to the disparate power level between characters), you’ll
want to make sure there’s something present that provides that same “safety
net.” Or at least, provides the option for folks who like that kind of thing.
That, too, is part of the fun. In my opinion.
